I MOVED
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Monday, February 14, 2011
Saturday, November 13, 2010
FUTILITE PRINTS 2010
Futilite
silkscreen / collage
A3
Hand numbered out of 25
Spirit of 77
silkscreen / collage
A3
Hand numbered out of 25
Available at Wellington Zinefest 2010, Saturday November 20th for $15 each or both prints for $25.
http://wellingtonzinefest.blogspot.com/
silkscreen / collage
A3
Hand numbered out of 25
Available at Wellington Zinefest 2010, Saturday November 20th for $15 each or both prints for $25.
http://wellingtonzinefest.blogspot.com/
On November 21st the remaining prints will be for sale on Infinitybag for $20 each or both prints for $35, and at the last High Seas Exhibition, High Fives, in Auckland on December the 4th.
If you won't be going to Wellington Zinefest and want to pre-order, get in quick and send an e-mail with the print/s you want, your preferred method of payment (cash or bank transfer for New Zealand, paypal for international) and your address to zacharyjordanpenney@gmail.com.
Friday, November 12, 2010
Wednesday, November 10, 2010
Wednesday, October 20, 2010
boy worm shows signs of a slight protrusion at his right tip
Tuesday, October 5, 2010
Thursday, September 16, 2010
HIGH SEAS OCT 8
Infinity Bag is the alter-ego and dreamworld of Zachary Jordan Penney. It’s suitably suggestive of his work, which is a satirical pastiche of cultural icons drawn from the endless bag of human history. While his first exhibition 81 Pics embraced the egalitarian tools of pen and A4 copy paper, the High Seas exhibition moves to bigger canvases that investigate repetition, colour and symbol in much more detail. Where the surrealists famously found their fix in a chance meeting on a dissecting-table of an umbrella and a sewing-machine, Penney gets his in the firmly purposeful meeting of Timothy McVeigh and a bicycle on enlarged sheet of postal stamps. His images invite the viewer to solve puzzles; using his symbols to echo mysticism and the worship of esotericism. But unlike many doing the same, Penney really does suggest answers, and in doing so he becomes more a storyteller than an obfuscator. Many of the works draw from conspiracy theories and re-arrange historical events to fit within his homemade mysteries, which emphasises the subjective otherworldliness of common resource pool that artists draw from. What results is a willfully hyperbolic portrayal of fact versus fiction and truth versus enlightenment.
Some previews:
london zion
king kong koresh
turquoise shell suit
OPENING FRIDAY OCTOBER THE 8TH
HIGH SEAS
Ground Floor, Theta Building, 12 Beresford Square, Auckland
FREE BEER
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